Books Bought This Month
Books Received/Acquired This Month
The Hundred-Year Flood [IndieBound] by Matthew Salesses (Kindle First)
See No Color [IndieBound] by Shannon Gibney (ARC from publisher)
The Great American Whatever [IndieBound] by Tim Federle (Edelweiss ARC)
Mad About the Hatter by Dakota Chase (NetGalley ARC) Continue reading
I’ve not been here much because I’ve been working on writing that I hope to send off into the world to other places, and because I’ve been trying to expand my focus to things beyond books, since I like lots of things. I’m also building a new website where I’d like to showcase all of my interests and skills, not just writing about books.
I really like fashion, and I loved being known as a quirky, stylish librarian at my old job, and now, even though I enjoy the fact that I’ve been doing remote stuff, I miss dressing up. I like reading about style, and I’d like to write about it, if not here than elsewhere.
I just moved back to Arizona and have been spending a lot of time with my nieces, which has kept me from doing other things, but it’s also been good for me to be around them. They are one of the reasons I chose to move back, and I love them and love being closer to them and love that they are so happy to see me. I’m so happy my parents are glad to have me back, even if I’m cramping their style by living with them until I find a new place of my own. I’m glad to have my big sister again. Continue reading
I just finished Lucy Knisley’s latest comics memoir/travelogue, Displacement [IndieBound]. I’ve been having a lot of trouble reading lately, both because of time (traveling from the Bay Area to Tucson and making stops to see people along the way) and just general inability to focus. So I went to my childhood neighborhood library yesterday and picked up her book and Audrey Niffenegger’s Raven Girl [IB] and found that her colorful, quick illustrations that I think live somewhere in between illustration and comics, tbh, was the remedy I needed. I really hate people who view certain types of formats, audience designations, and genres (coughYAcough coughcomicscough) as “palate refreshers” or “light reads” because they’re pretending to respect them while really insulting them and reducing them to one thing. But it’s true that this book was refreshing; I’m just not sure if it was because I’m just not connecting with the other book I’m reading or a new place demands a fresh book or what.
I saw Knisley in person a few years ago when Relish [IB] came out and she did a presentation at Brookline Booksmith. She’s really awesome. But I also felt really jealous and inadequate, since she’s all of a year or two older than I am but has accomplished and produced so much more in her life than I have. Y’know, the usual for me, bemoaning my lack of success while being lazy about doing the things that could make me successful. Gifted child who became an underachieving adult, that’s me.
Displacement may be my favorite of her memoirs so far, which is probably because the shades of introspection and deepness that started happening in An Age of License [IB] (whereas I see French Milk [IB] and Relish as slices of life that are interesting but pretty light) come out even more, and it’s really a lot deeper and thoughtful than previous works. Continue reading