chart illustrating how the computer programming field is male-centric, overwhelmingly white, and completely lacking in basic liberal arts education

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programmers

Can you say microaggression? This list comprises just some of the words I’ve had to teach my phone and which my computer also red-underlines. No, of course a programmer or a program cannot possibly know all words ever and of course, language evolves all the time. But just as Pacemakers are designed for men’s bodies and work less effectively on women, just as women are cold in office buildings because average a/c temps are based on calculations of average male bodies, just as hair products come in “curly” and “normal,” just as “normal” is one thing and “other” is a bazillion other things, the lack of sociological and social justice terms, as well as the lack of ethnically specific (BUT STILL ENGLISH, mind you, none of those “but it’s an English dictionary” arguments here) absolutely normal and everyday words says A LOT.

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alice + freda forever: blog tour and giveaway

It’s Monday, and that doesn’t mean anything on this blog generally, but today it means it’s time to host a stop on the blog tour for Alice + Freda Forever: A Murder in Memphis by Alexis Coe! It is a book, and it was recently published, and I will now tell you what I thought of it and also give you a chance to win a copy. Isn’t that great of me? I know, I’m awesome.

So this is the synopsis of the book, because it’s fine and I don’t feel like writing my own:

In 1892, America was obsessed with a teenage murderess, but it wasn’t her crime that shocked the nation – it was her motivation. Nineteen-year-old Alice Mitchell planned to pass as a man and marry seventeen-year-old Freda Ward, but when their love letters were discovered, they were forbidden to ever speak again. Desperate and isolated, Alice pilfered her father’s razor, and on a cold winter’s day, she slashed her ex-fiancée’s throat. Now more than 120 years later, their tragic but true story is being told. Alice + Freda Forever, by historian Alexis Coe and with illustrations by Sally Klann, is embellished with letters, maps, historical documents, and more.

If it sounds familiar, it’s because you might have read Sara Farizan’s novel If You Could Be Mine last year, which is, of course, fiction, but also deals with lesbians who come up with a craaaazy idea to pose as male (well, as transmale in the case of Farizan’s book) just to be able to be with the women they love. If the novel was problematic because it may have the unintended effect of helping people to conflate sexual orientation with gender identity, this book, at least, tells a true story, so you can’t fault the author for being problematic, only the girls in it. Continue reading

gracefully grayson

There are books that need to happen to pave the way for something, and you have to accept them even if they’re kind of shitty, so long as they’re not harmful. When it comes to being a trans person and having your life and identity more widely represented in YA or children’s literature, that means Luna by Julie Anne Peters, which is a literarily terrible book with piles of strawmen getting knocked over on every page. But it was what there was, and now, thankfully, there are other books coming out starring trans teens, like I am J or Freakboy. But when it comes to middle grade, there is basically nothing there, even though kids know early – very early – what gender they feel they are. That doesn’t mean they know their sexuality at three years old (though I would suggest that our idea that you don’t figure out your sexuality until about age 16 is like four to six years off), but to say that children don’t know who they are at their core is an incredibly insulting, and you know how I feel about adults who think children are stupid. Inexperience ≠ innocence ≠ ignorance (the first is what children have, the second is a fallacy, and the third can only be determined on a case by case basis and is not a given with all children about all things). Anyway. What I think is happening is that since everyone likes to conflate sex with gender with sexuality (maybe I should pull out more of those “does not equal” signs), nobody wants to put out a middle grade novel with a trans protagonist because they think that that will mean sexualizing children (oooh, another non-equation: sexualizing children ≠ children having sexuality – one is not okay, the other is true whether you like it or not), and GAWD FORBID we do that. So I was really pleased when I heard about this book that was forthcoming from Disney Hyperion, and I was so happy that they gave me access to it on Netgalley. I read it all in one day (yesterday), and I mostly really loved it.

Not everything is perfect about this book, and I feel a little ill at ease writing this review, because I can’t really gauge authenticity about an issue I can claim ZERO personal experience with and only a couple of friends/acquaintances whose experiences I have watched from a fairly far distance. And all those acquaintances happened to be FTM trans, and most books, I’ve noticed, focused on MTF, maybe because we like to conflate female-to-male trans-ness with tomboyishness and think that they’re the same? Or because we have more unease about men exhibiting feminine characteristics and therefore MTF narratives seem more subversive or scandalous? Or something else? No idea. Something to unpack at a later time, because I am digressing a lot. Continue reading